When Miley Cyrus said her “Wrecking Ball” video (in which she cries into the camera, before getting it on with a wrecking ball and a sledgehammer) was inspired by Sinead O’Connor‘s classic and subtle “Nothing Compares 2 U” video (that title is pre-texting!), O’Conner wrote an open letter to Miley, warning her that’s she’s being used as a cog in the sexist machinery of the music biz. Musician/arteeest Amanda Palmer then wrote an open letter to O’Connor warning her of that poopoo-ing female artists’ choices is actually not very feminist. Read the letters and then take the poll below!
Here’s an excerpt from O’Connor’s letter:
Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way anÂ empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you)Â more for your sexual appeal than your obvious talent….
IÂ repeat, you have enough talent that you don’t need to let the musicÂ business make a prostitute of you. You shouldn’t let them make a fool of you either. Don’t think for a moment that any of them giveÂ a flying fuck about you. They’re there for the moneyâ€¦ we’re there for the music. It has always been that way and it will always beÂ that way. The sooner a young lady gets to know that, the sooner she can be REALLY in control….
Whether we like it or not, usÂ females in the industry are role models and as such we have to be extremely careful what messages we send to other women. TheÂ message you keep sending is that its somehow cool to be prostituted â€¦ its so not cool Miley â€¦ its dangerous. Women are to beÂ valued for so much more than their sexuality. We aren’t merely objects of desire. I would be encouraging you to send healthierÂ messages to your peers â€¦ that they and you are worth more than what is currently going on in your career. Kindly fire anyÂ motherfucker who hasn’t expressed alarm, because they don’t care about you.
And excerpt from Palmer’s letter:
Miley is, from what I can gather, in charge of her own show. She’s writing the plot and signing the checks, and although I think it’s tempting to imagine herÂ in the board room of label assholes and management, I don’t think any of them masterminded her current plan to be a raging, naked, twerking sexpot. IÂ think that’s All Miley All The Way. Now, would these men ARGUE with her when she comes into the room and throws down her treatment to hop up nakedÂ on the proverbial (and literal) wrecking ball? Of course not. Sex sells. We all know it. Miley knows it better than anyone: swinging naked on a big metalÂ ball simply gets you more hits than swinging on a big metal ball wearing clothes. We’re mammals. LOOK BOOBS! And even more tantalizing: LOOKÂ HANNAH MONTANA BOOBS! But none of this means that Miley is following anyone else’s script. In fact, what I see is Miley desperately trying to write herÂ own script; truly trying to be taken seriously (even if its in a nakedly playful way) by the standards of her own peers….
I want to live in a world where Miley (or any female musician) can twerk wildly at 20, wear a full-cover floral hippie mumu at 37, show up at 47 in see-through latex, and pose semi-naked, like Keith & co, on the cover of rolling stone at 57 and be APPLAUDED for being so comfortable with her body. ThisÂ is not to say that women have to play the desperate I’M-STILL-SEXY game as they age. Watching Madonna’s plastic surgeries and apparentÂ stubbornness around aging just makes my inner teenager want to scream (YOU’RE MADONNA! YOU COULD HAVE MADE AGING SEXY GODAMMITÂ AND YOU DIDN’T!!), but the grown-up in me just pauses for a breath and remembers that Madonna is just carving out her section of the playing field. HowÂ she chooses to sculpt her face and body is just…her choice.
Who do you think is right?